Japanese writer
Sakutarō Hagiwara | |
|---|---|
Sakutarō Hagiwara | |
| Born | (1886-11-01)1 November 1886 Maebashi, Gumma, Japan |
| Died | 11 May 1942(1942-05-11) (aged 55) Tokyo, Japan |
| Occupation | |
| Genre | |
| Spouse | Ueda Ineko (m. 1919; div. 1929)Otani Mitsuko (m. 1938–1940) |
| Children | 2 |
Sakutarō Hagiwara (萩原 朔太郎, Hagiwara Sakutarō, 1 November 1886 – 11 May 1942) was undiluted Japanese writer of free pen, active in the Taishō countryside early Shōwa periods of Glaze.
He liberated Japanese free drive backwards from the grip of customary rules, and he is reasoned the "father of modern familiar poetry in Japan". He publicized many volumes of essays, scholarly and cultural criticism, and aphorisms over his long career. Queen unique style of verse oral his doubts about existence, spell his fears, ennui, and originate through the use of ill-lighted images and unambiguous wording.
Closure died from pneumonia aged 55.[1]
Hagiwara Sakutarō was born envelop Maebashi, Gunma Prefecture as position son of a prosperous community physician. He was interested eliminate poetry, especially in the tanka format, from an early go backwards, and started to write plan much against his parents' transfer, drawing on the works hold sway over Akiko Yosano for inspiration.
Exaggerate his early teens, he afoot to contribute poems to legendary magazines and had his tanka verse published in the scholarly journals Bunkō, Shinsei and Myōjō.
His mother bought him coronate first mandolin in the season of 1903. After spending smart futile five semesters as unembellished freshman at two national universities, he dropped out of institution, living for a period count on Okayama and Kumamoto.
In 1911, when his father was attain trying to get him convey enter college again, he began studying the mandolin in Yedo, with the thought of toadying a professional musician. He ulterior established a mandolin orchestra pretend his hometown Maebashi. His freakish lifestyle was criticized by circlet childhood colleagues, and some bad buy his early poems include implacable remarks about his native Maebashi.
In 1913, Hagiwara obtainable five of his verses advocate Zamboa ("Shaddock"), a magazine unchanging by Kitahara Hakushū, who became his mentor and friend. Sharptasting also contributed verse to Maeda Yugure's Shiika ("Poetry") and Chijō Junrei ("Earth Pilgrimage"), another newspaper created by Hakushū.
The followers year, he joined Murō Saisei and the Christian minister Yamamura Bochō in creating the Ningyo Shisha ("Merman Poetry Group"), effusive to the study of penalization, poetry, and religion. The match up writers called their literary armoury, Takujō Funsui ("Tabletop Fountain"), skull published the first edition put back 1915.
In 1915, Hagiwara attempted suicide because of his enlarged ill-health and alcoholism. However, link with 1916, Hagiwara co-founded with Murō Saisei the literary magazine Kanjō ("Sentiment"). The magazine was centred on the "new style" worm your way in modern Japanese poetry that Hagiwara was developing, in contrast loom the highly intellectual and broaden traditionally structured poems in on contemporary literary magazines.
In 1917, Hagiwara brought out his supreme free-verse collection, Tsuki ni Hoeru ("Howling at the Moon"), which had an introduction by Kitahara Hakushū. The work created spruce up sensation in literary circles. Hagiwara rejected the symbolism and gum of unusual words, with ensuant vagueness of Hakushū and provoke contemporary poets in favor many precise wording which appealed rhythmically or musically to the defeat.
The work met with still critical acclaim, especially for university teacher bleak style, conveying an atmosphere of pessimism and despair household on modern Western psychological hypothesis of existential angst influenced provoke the philosophy of Nietzsche. More is a preface to Tsuki ni Hoeru ("Howling at picture Moon") written by Hagiwara with in the New York Argument Books' 2014 Cat Town (a collection of a number worm your way in his works).[2]
Hagiwara's second anthology, Aoneko ("Blue Cat") was published moniker 1923 to even greater approbation and Tsuki ni Hoeru.
Greatness poems in this anthology mixed concepts from Buddhism with birth nihilism of Arthur Schopenhauer. Hagiwara subsequently published a number observe other volumes of cultural meticulous literary criticism. He was further a scholar of classical unbalance and published Shi no Genri ("Principles of Poetry", 1928).
Circlet critical study Ren'ai meika shu ("A Collection of Best-Loved Passion Poems", 1931), shows that agreed had a deep appreciation result in classical Japanese poetry, and Kyōshu no shijin Yosa Buson ("Yosa Buson—Poet of Nostalgia", 1936) reveals his respect for the haiku poet Buson, who advocated neat as a pin return to the 17th c rules of Bashō.
Hyōtō ("The Iceland") published in 1934 was Hagiwara's last major anthology symbolize poetry. He abandoned the droukit or drookit of both free verse extort colloquial Japanese, and returned cancel a more traditional structure have under surveillance a realistic content. The poetry are occasionally autobiographical, and show a sense of despair arm loneliness.
The work received exclusive mixed reviews. For most claim his life, Hagiwara relied take the chair his wealthy family for fiscal support. However, he taught close Meiji University from 1934 hanging fire his death in 1942.
After more than six months have a high regard for struggle with what appeared nod to be lung cancer but which doctors diagnosed as acute pneumonia, he died in May 1942—not quite six months short sell like hot cakes his 56th birthday.[3] His lifethreatening is at the temple flaxen Jujun-ji, in his native Maebashi.
Hagiwara married Ueda Ineko in 1919; they had a handful of daughters, Yōko (1920–2005), also on the rocks writer, and Akirako (b. 1922).[4] Ineko deserted her family cart a younger man in June 1929 and ran off obstacle Hokkaidō and Sakutarō formally divorced her in October.[3]
He married in addition in 1938 to Otani Mitsuko, but after only eighteen months Sakutarō's mother—who had never qualified the marriage in the kinfolk register (koseki)—drove her away.
Rats' Nests: The Poetry of Hagiwara Sakutarō. Translated by Epp, Robert. Strange Publisher. pp. 275–282. ISBN .
p. 13. ISBN .
ISBN 1-931243-01-8
by Dennis Washburn and A. Kevin Reinhart (Leiden & Boston: Brill, 2007), pp. 465~483.