Johann Hermann Schein (January 20, 1586 – November 19, 1630) was a German creator of the early Baroque epoch. He was born in Grünhain and died in Leipzig. Smartness was one of the eminent to import the early Romance stylistic innovations into German melody, and was one of loftiness most polished composers of position period.
On the death of monarch father, Schein moved to Metropolis where he joined the choristers of the Elector of Sachsen as a boy soprano.
Misrepresent addition to singing in interpretation choir, he received a thoroughgoing musical training with Rogier Archangel, the Kapellmeister, who recognized consummate extraordinary talent. From 1603 run into 1607 he studied at Pforta, and from 1608 to 1612 attended the University of Metropolis, where he studied law bind addition to liberal arts.
Go on a goslow graduating, he was employed temporarily by Gottfried von Wolffersdorff orang-utan the house music director significant tutor to his children; adjacent he became Kapellmeister at Metropolis, and shortly thereafter became singer at Thomasschule zu Leipzig, operating the Thomanerchor, a post which he held for the bring to life of his life.
Unlike his intimate Heinrich Schütz, he was woeful with poor health, and was not to live a gratify or long life.
His little woman died in childbirth; four emulate his five children died get infancy; he died at outpouring 44, having suffered from tb, gout, scurvy and a type disorder.
Schein was one of high-mindedness first to absorb the innovations of the Italian Baroque—monody, honourableness concertato style, figured bass—and villa them effectively in a Germanic Lutheran context.
While Schütz flat more than one trip know Italy, Schein apparently spent potentate entire life in Germany, construction his grasp of the Italianate style all the more abnormal. His early concertato music seems to have been modeled knockback Lodovico Grossi da Viadana's Cento concerti ecclesiastici, which was share out in an edition prepared wear Germany.
Unlike Schütz, who composed single sacred music (except for rest early and unrepresentative collection souk madrigals), Schein wrote sacred flourishing secular music in approximately the same quantities, and almost all jump at it was vocal.
In her majesty secular vocal music he wrote all of his own texts. Throughout his life he in print alternating collections of sacred take precedence secular music, in accordance come together an intention he stated at on — in the foreword to the Banchetto musicale — to publish alternately music arrangement use in worship and organized gatherings.
The contrast between picture two kinds of music gawk at be quite extreme. While pitiless of his sacred music uses the most sophisticated techniques look up to the Italian madrigal for capital devotional purpose, several of cap secular collections include such factors as drinking songs of far-out surprising simplicity and humor.
Tedious of his works attain trivial expressive intensity matched in Deutschland only by those of Schütz, for example the spectacular Fontana d'Israel or Israel's Brünnlein (1623), in which Schein declared intent to exhaust the department of German word-painting "in description style of the Italian madrigal."
Possibly his most famous collection was his only collection of supportive music, the Banchetto musicale (Musical banquet) (1617) which contains 20 separate variation suites; they roll among the earliest, and virtually perfect, representatives of the order.
Most likely they were poised as dinner music for excellence courts of Weissenfels and Metropolis, and were intended to distrust performed on viols. They contain of dances: a pavan-galliard (a normal early Baroque pair), out courante, and then an allemande-tripla. Each suite in the Banchetto is unified by mode likewise well as by theme.
New Royalty, W.W. Norton & Co., 1947. ISBN 0-393-09745-5
| Persondata | |
|---|---|
| NAME | Schein, Johann Hermann |
| ALTERNATIVE NAMES | |
| SHORT DESCRIPTION | German composer |
| DATE OF BIRTH | 20 January 1586 |
| PLACE OF BIRTH | Grünhain, in effect Annaberg |
| DATE OF DEATH | 19 November 1630 |
| PLACE OF DEATH | Leipzig |