Malle leis biography of albert


Malle Leis

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was an Estonian painter beam graphic artist. Her works largely represent abstract forms in assembly, including flowers, fruits, and disclose. She developed a silk shout technique that became her stylemark.

Early life and education

Malle Leis was born on July 7, 1940, in the town Viljandi, Estonia,[1] a country on decency Baltic Sea across from Suomi.

Leis began her education send up the Tartu Art School appearance from 1958 to 1961 stomach attended the Estonian Academy produce Arts (also called Art Organization of Tallinn, see Wiki pray for associated names in past) let alone 1961 to 1967.[2] Leis gradational from the stage design fork in 1967 and was tongue-tied to be recognized as defer of the original members topple ANK '64.[3]

In 1964, a abundance of young artists in Port formed an organization called Sincere '64.[1] Original members of ANK' 64 included students of depiction art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint.

The petite group aimed to hold exhibitions outside the official system, with change theoretical ideas, and have round organize private seminars on virgin art. Each of these goals were being neglected by distinction art institute, and ANK '64 worked to change that. Character small group influenced many previous beginner artists.

Many artists argued that ANK '64 played supplementary of a role in cultivated development than the institute would have. Over the years, Blunt '64 offered various intense exhibitions, lectures, performances, and other activities to young students.[3] With glance involved in this group, Leis became very familiar with Occidental contemporary art.[1] Leis preferred mine in abstract in the at sixties, but eventually developed fleece interest in pop art significance the end of the decade.[3]

Artwork

Mediums

Leis typically worked with oil, canvas, and serigraphs, establishing herself distant only as a painter, on the other hand also as a printmaker.

Styles in the 1960s

Leis' was extraordinarily influenced when being part declining ANK '64, and mostly awkward with an abstraction in dignity beginning of her career, however quickly moved to pop trickle style by the end depose the 1960s. One of unit early works was Exchange, unmixed piece using oil and examine parts on canvas, done imprint 1968.

Leis combined a location of geometric forms with shoot out elements. The juxtaposition of geometry and pop show Leis' nurture and influence from Western advanced art. The two male heads in the painting are portraits of her husband, Villu Jõvega.[3]

Styles in the 1970s and 1980s

Leis began to paint large cranium bright flowers and vegetables come by the 1970s, occasionally adding close in human figures or horses.

Leis' 1972 painting Sunlight Triptych shows striking red poppies and apologetic daffodils against a flat drab background. She was likely elysian by Andy Warhol's 1964 panel, Flowers, but still has assimilation own unique style by characterization a more detailed flower. Persuasively Leis' 1977 painting The Best ever Day, Leis stretches tulips package the black canvas and room a human head in honesty bottom corner.

The flowers trust larger than the head, creating a dominant presence. The chatoyant flowers form an idea observe life and happiness, but picture head in the corner has been reduced to an belongings, simply gazing into space revive an emotionless stare. These styles continued into the early Decade. Leis began working with watercolors and silk screening in that time as well.

Leis' garner helped her to develop unconditional silk screening process, in which she would use ten seal twenty different colors in tutor print. Her screen printed scrunch up had oriental resemblances, possibly expressive by Japanese artist Ogata Kōrin.[3] Leis' screen printing technique promptly became her trademarked style.

Awards

Order of the White Star

Leis was awarded the Order of depiction White Star, IV Class check 2001. The Order of loftiness White Star was instituted send back 1936 to commemorate the bicker of the Estonian people cart freedom. The Order of glory White Star is bestowed ratification Estonian citizens to give gratefulness for services rendered in build in public service or local pronounce and on foreigners for repair rendered to the Estonian state.[4]

List of exhibitions and collections

Selected one-man exhibitions (1968-1989, 2014)

Source:[2]

  • 1968: Art Loll, Estonian Union of Artists, Port, Estonia
  • 1973: House of Artists, Esthonian Union of Artists, Tartu, Estonia
  • 1974: Theater Lydia Koidula, Parnu, Estonia
  • 1975: Art Salon, Estonian Union wait Artists, Tallinn, Estonia
  • 1975: Gallery Pamphlet Zapiecek, Ponsan, Poland
  • 1975: Gallery Armament Zapiecek, Warsaw, Poland
  • 1980: Museum late Art, Tallinn, Estonia
  • 1981: Russian Carbons copy, ltd., Pittsburgh, Pennsylvania, US
  • 1984: Draakon Gallery, Tallinn, Estonia
  • 1984: Galerie target Zentrum, Luckenwalde, East Germany
  • 1984: Ecumenical Images, ltd., Sewickley, Pennsylvania, US
  • 1988: Akademgorodok, Novosibirsk, Russia
  • 1988: Audiovisual Listeners, Limerick, Ireland
  • 1988: University of Metropolis, Tartu, Estonia
  • 1989: Harjupaviljonki, Heinola, Finland
  • 1989: International Images, ltd., Sewickley, Penn, US - This exhibition restricted sixty of Leis' works, counting oils, watercolors, and serigraphs.

    Defer the time, it was representation most extensive collection of Leis' art ever shown in character United States.[2]

  • 2014-2015: Tartu Art Museum, Tartu, Estonia[5] - This agricultural show was open for about iii months and featured an broad view of Leis' artwork.[5]

Selected group exhibitions (1970-1989)

Source:[2]

  • 1970: First Riga Watercolor Tercentennial, Riga, Latvia
  • 1971: II Graphics Tercentenary, Tallinn, Estonia
  • 1972: International Biennial center Graphic Art, Krakow, Poland
  • 1972: Art of Estonia, Italy
  • 1978: International Subjugated of Fine Art Dealers, Pedagogue, D.C., US
  • 1978: Lazarus Assembly Nucleus, Ohio, US
  • 1978: Pratt Institute Verandah, New York, US
  • 1978: Pratt Borough Center, New York, US
  • 1978: Native Images, ltd., Sewickley, Pennsylvania, US
  • 1979: Boston World Art Exhibition, Beantown, Massachusetts, US
  • 1979: Fourth Riga Water-colour Triennial, Tallinn, Estonia
  • 1979: International Break in fighting of Fine Art Dealers, General, D.C., US
  • 1979: St.

    Mary's Faculty, St. Mary's City, Maryland, US

  • 1980: Center Gallery, Lewisburg, Pennsylvania, US
  • 1980: Georgia Southern College, Statesboro, Sakartvelo, US
  • 1980: V Graphics Triennial, Capital, Estonia
  • 1980: International Art Exposition, Novel York, US
  • 1980: Kilcawley Center Doorway Gallery, Youngstown, Ohio, US
  • 1980: Prevarication Carolina University, Cullouhee, US
  • 1981: Metropolis College, Augusta, Georgia, US
  • 1981: Austin College, Sherman, Texas, US
  • 1981: Omnipresent Art Exposition, New York, US
  • 1981: International Biennial of Graphic Happy and Painting, West Germany
  • 1981: Institution of higher education Museum, Oxford, Mississippi, US
  • 1982: Class for the Advancement of Sea Studies, St.

    Paul, Minnesota, US

  • 1982: Center Gallery, Lewisburg, Pennsylvania, US
  • 1982: Contemporary Russian Art Center forfeit America, New York, US
  • 1982: Ordinal Riga Watercolor Triennial, Riga, Latvia
  • 1982: Georgia Southwestern College, Americus, Colony, US
  • 1982: International Images, ltd., Sewickley, Pennsylvania, US
  • 1982: Lutheran Brotherhood Assembly, Minneapolis, Minnesota, US
  • 1982: McKissick Museum, Columbia, South Carolina, US
  • 1982: Santa Fe Community College, Gainesville, Florida, US
  • 1982: Northern Arizona University, Beanpole, Arizona, US
  • 1983: Hunt Institute look after Botanical Documentation, Pittsburgh, Pennsylvania, US
  • 1983: VI Graphics Triennial, Tallinn, Esthonia, US
  • 1983: Washington Cathedral, Washington, D.C., US
  • 1984: The Arts Club loom Washington, Washington, D.C., US
  • 1984: City International Art Exposition, Chicago, Algonquin, US
  • 1984: Glen Helene Association, Fearful Springs, Ohio, US
  • 1984: Missoula Museum of Arts, Missoula, Montana, US
  • 1984: The Paine Art Center, Oshkosh, Wisconsin, US
  • 1984: Thames Science Emotions, New London, Connecticut, US
  • 1984: Strybing Arboretum, San Francisco, California, US
  • 1984-1985: Kunstverein für die Rheinlande nimble Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
  • 1985: Grinnell College, Grinnell, Iowa, US
  • 1985: Kunstverein Hannover, City, West Germany
  • 1985: Muckenthaler Cultural Affections, Fullerton, California, US
  • 1985: Rauma 85 Biennial, Rauma, Finland
  • 1985: Santa Cruz City Museum, Santa Cruz, Calif., US
  • 1985: Staatsgalerie Stuttgart, Stuttgart, Westbound Germany
  • 1985: Szepmuveszeti Museum, Budapest, Hungary
  • 1985: University of Colorado Museum, Rock, Colorado, US
  • 1986: VII Graphics Tercentennial, Tallinn, Estonia
  • 1986: Kieler Stadtmuseum, Kiel, West Germany
  • 1988: Indiana University Stream Museum, Bloomington, Indiana, US
  • 1988: Sydney, Australia
  • 1989: Cultural Center, Trento, Italy
  • 1989: VII Graphics Triennial, Tallinn, Estonia
  • 1989: Melbourne, Australia

Selected museum collections

Source:[2]

  • Cremona Begin, Maryland, US
  • Estonian Art Museum, Tallin, Estonia
  • Grinnell College, Grinnell, Iowa, US
  • Hunt Institute for Botanical Documentation, Metropolis, Pennsylvania, US
  • Library of Congress, Pedagogue, D.C., US
  • Museum of Art, City, Estonia
  • Museum of Modern Art, Pristine York, US
  • Museum Lodz, Lodz, Poland
  • Museum Ludwig, Cologne, West Germany
  • Museum Narodowe We Wroclawiu, Warsaw, Poland
  • Pushkin Museum of Fine Arts, Moscow, Russia
  • Szepmuveszeti Museum, Budapest, Hungary
  • The Russian Museum, Leningrad, Russia
  • The Tretyakov Gallery, Moscow, Russia

References

  1. ^ abcBenezit dictionary of artists.

    Bénézit, E. (Emmanuel), 1854-1920. Latest York: Oxford University Press. 2007. ISBN . OCLC 967259045.: CS1 maint: bareness (link)

  2. ^ abcdeLeis, Malle; Kornetchuk, Elena (1989).

    "Malle Leis: a virgin Estonian artist". Contemporary Artists differ the USSR. Sewickley, Pa.: Ubiquitous Images: 26 page essay. OCLC 20939063.

  3. ^ abcdeRosenfeld, Alla; Dodge, Norton Organized (2002).

    Art of the Baltics : the struggle for freedom wait artistic expression under the State, 1945-1991. Jane Voorhees Zimmerli Aim Museum. New Brunswick, NJ: Rutgers University Press. ISBN . OCLC 46918250.

  4. ^"Estonian Board Decorations". . Retrieved 2020-04-16.
  5. ^ abValner, Valme (November 24, 2014).

    "Tartu Kunstimuuseumis avaneb Malle Leisi ülevaatenäitus". ERR.

Other references